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So Good They Named It Kava Kava
By Ben Ohmart, MusicDish.com
Everyone wants to split a genre; take elements of
country, ragtime and ska and create a new word for what they're
doing. Well, when it comes to a world's record in how many elements
you can put together to form a new sound, Kava Kava may have
the Guinness book sealed up.
Their new 70 minute album Maui may not emit sounds
of a tropical nature, but when it comes to creating a heavenly playground
you want to lose your tie in, Maui
is the obvious vacation spot.
Don't let the 'Intro' fool you. Once you get
passed a few moments of that minimalist soundscape, you're into
a groove that refuses to stop. They call it space funk - a blend
of beats, electronica, bass, guitars, and the occasional string
section. Interestingly and arrestingly, there are non-pulsating
pauses in the score that might infuriate club owners, but when the
beat stops for a dramatic moment in 'Space People,' it helps
pump this way above disco influences. It also makes the track grind
better when the rhythm steps back in; more exciting than a Britney
Spears retread.
Not surprisingly (or surprisingly), Kava Kava, originally
a 4-piece experimental live psychedelic unit with hard George
Clinton influences, hails from the UK (Yorkshire). Pat Fulgoni
fronts as the soulful voice, keyboards and trumpet, backed up by
Matt Bond on guitars, Jason Riley on bass and "electronica,"
and Mick Reed on plenty of rhythm. Having a grooving lead
singer who also runs a booking agency and a delicious Chocolate
Fireguard record label helps fill up the odd gap in an already
full calendar. Clubs and festivals are funked from France, Holland,
Belgium, Hungary, Switzerland and the Czech Republic to Austria,
Germany, Poland and Italy, where they already drive too fast without
Kava Kava in the tape player.
Says
Pat: "The more gigs we do in other countries, the more Kava Kava
meanings we come across! For instance, the band has been playing
the Czech Republic for years and 'Kava Kava' means 'Coffee Coffee'
over there (can be a bit confusing when you're trying to find the
venue!!). We once had an order from the Estonian Ambassador based
in Stockholm, Sweden who bought the album because the band's name
translated as 'schedule schedule!?' Kava Kava is also a legal high
from Papua New Guinea, a member of the pepper family, in fact. I've
heard of footage where Queen Elizabeth has been given a Kava Kava
brew!!!"
Thank God music is universal and accepted like Visa.
The critics know the credit's good on the latest album. DJ Mag
says it "should be on every funk and disco playlist, period!" M8
writes that it's "essential summer listening." Blues and Soul
goes one better: ".....(the) inspired songwriting and impeccable
production of Maui is a jaw-dropping phenomenon."
And it is. Especially when you consider where the
birth took place. "We've been chipping away at it for a few years
now, recording it in the bedroom and then mixing it down in a professional
studio. Live performances have certainly helped shape the songs."
A
few of the tracks have interesting personality origins themselves.
"'Sicfuck' was helped shaped by a rather scary session musician
who must, for the band's safety, remain nameless. 'Terrorists'
was originally written just before the September 11th tragedy. 'Funked
Up and Freaked Out' is a case of 'eat shit jazz snob.' 'Space
People' was mixed the day George Harrison died."
For influences - a key to their heavy turnover of
sounds - they go for everything from AC/DC to Daft Punk,
Gil Scott Heron, Marvin Gaye to Can and Basement
Jaxx. Needless to say their fan base is about as diverse as
the "average" Beatles fan. "You get rockers turning up alongside
trip hoppers and lovers of house music! I've always been really
surprised by the range of people who get into Kava Kava. We have
played a lot of live 'funk' club nights, so there's been a few conversions
with that kind of audience as well as some hardened festival heads
from the odd set at Glastonbury and the various other music festivals
we've played."
When
they first began, there were some covers thrown in with the original
mixes; songs like Living Colour's "Type Out" and Hendrix's
"Freedom." But these days it's all originals. "Generally
on stage we are a live 6 piece funk outfit: typically vocals, keys,
guitar, drums, bass, brass section, but synced up to the samplers
and beats. It really comes alive at gigs."
Still, for those of us who still see Europe as a world
away, we have to rely on those little CD things. "I'm compiling
the next Chocolate Fireguard compilation. This next one is called
'Interesting Flavours' and has two Kava Kava tracks on it: 'Tic'
and an instrumental cop show style remix of 'Bank Job.' It's
also got some tracks from Freddy Fresh, The Bluefoot Project,
Bentley Rhythm Ace, "Ca (la cedille)" Awayteam and
some amazing hip hop from South Africa c/o Godessa and Moodphase5ive.
There's been the odd Kava Kava track on a few compilations in Eastern
Europe and also the 'Taster Sounds From The Funky Underground'
compilation series (also Chocolate Fireguard).
"The title track 'Maui' has found its way onto
IRMA's 'Chill Out' compilation over in Italy. I'm convinced
this particular track could be used for a soundtrack somewhere!
We would love to be on a few more compilations and we're are also
putting together some new tracks, so watch this space........"
Luckily the US isn't out of reach yet. They're planning for an official
release for Maui over here, as well as some gig-playing time in New
York and the Bay Area. "I was in the States last year and thought
it would be really exciting to play out there. Would love to get to
Japan, too. Recordings-wise, a nice studio and PR budget would be
just the ticket!"
Meantime, they've got plenty of dates cooking in the
UK. "But I'm really looking forward to playing Czech Republic, Hungary
and Spain in the very near future."
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